Very cool collection of various approaches to sound mapping, recently posted at Weird Vibrations.  Here’s the first post, sharing their overview of several sound mapping models, including collaborative documentary, composition, preservation, and policy-oriented.  And here’s a follow-up post of others sent in by readers.  And to go one step further, here’s a delicious link from a commenter, to his own collection of sound maps.  And, oh, what the heck: here’s the current list of sound maps from AEI’s main site!

Paris Sound Map (click to read 1st post)

Those of you who were attracted to this particular post topic may well also enjoy checking by Weird Vibrations this week, where they’ve just begun an “open thread” on Acoustic Ecology, centered around their upcoming reviews of Gordon Hempton’s One Square Inch book, and a book on sound weapons; the initial questions posed are promisingly provocative: ” First, is understanding sound as an ecosystem practical? In other words, can this formulation help us deal with noise in a just fashion? How does the ecological metaphor sit with you? Second, does acoustic ecology’s focus on “natural” preservation make it essentially conservative? This is a charge that’s latent (if not explicit) in some recent Sound Studies work that foregrounds technology. What do you think?”